This topic is based on my current study of Mathieu Boisvert’s short book The Five Aggregates. It also draws on the 2022 post Did the Five Aggregates predate the Buddha?
I wonder, specifically, what may pre-date the five aggregates in the pre-Buddhist literature.
Let’s recall:
Skandha (Sanskrit: स्कन्ध) is a Sanskrit word that means “multitude, quantity, aggregate”, generally in the context of body, trunk, stem, empirically observed gross object or anything of bulk verifiable with senses. The term appears in the Vedic literature.
So we know the term is in the pre-Buddhist literature. How does it show up, in relation to a (possible) elaboration on the division of the individual into parts?
Meggers posted in the thread:
Bracketed English terms are Boisvert’s. The correlations are just a theory (Boisvert’s) but it’s out there. Do we know of anyone else building on this idea?
I searched all of Bhante Sujato’s notes and didn’t find anything referencing pre-Buddhist literature on the five aggregates. (Could be there but maybe I missed it!)
What have I found in addition to this mapping?
- The five-layered fire altar. Quite incidentally, I found this reference to the Śatapatha Brāhmaṇam while reviewing Mircea Eliade’s The Myth of the Eternal Return:
He lays down eight bricks, – the Gayatri (metre) consists of eight syllables, and Agni (the fire-altar) is of Gayatri nature: as great as Agni is, as great as is his measure, by so much he thus introduces him in the form of seed. Five times he ‘settles’ it, – of five layers consists the fire altar, five seasons make a year, and Agni is the year…
- The five seasons, which are the five bodily parts and five regions. From the same Śatapatha Brāhmaṇam:
And that Prajāpati who became relaxed is the year; and those five bodily parts of this which became relaxed are the seasons; for there are five seasons, and five are those layers: when he builds up the five layers, he thereby builds him up with the seasons…And those five bodily parts of his, the seasons, which became relaxed, are the regions (or quarters; i.e., the four cardinal points of the compass and the upper region); for five in number are the regions, and five those layers: when he builds up the five layers, he builds him up with the regions.
- Relationship between the five-layered altar and the five body parts. From Lauren M. Bausch, Pratiṣṭhā in the Brāhmaṇas and Āraṇyakas:
It is difficult for Prajāpati to ensure that his prajā have a pratiṣṭhā when his own body has no firm foundation. As a result, the constituents of the universe, which are Prajāpati’s own emitted parts, become scattered without a firm foundation. Because Prajāpati is ill without a firm foundation, in the Agnicayana Prajāpati begs Agni to put him back together brick by brick. Thite has noted that the fire-building or Agnicayana represents all the worlds, so his reconstruction restores the original unity of his scattered being. In addition, Thite emphasizes that Prajāpati is equated with not just the fire altar, but with brahman (formulation of truth) and puruṣa.
So, would the brahmins have been familiar with the notion of a five-layered self (Prajāpati) by way of the five-layered altar? In which case, a correlation would make sense with the five khandhā in the Buddhist innovation?
As an aside, Boisvert proposes three hypotheses for “the absence of a definition of the Buddhist sense of the word khandha in the pre-Buddhist literature”:
- The term existed then but was not recorded in the pre-Buddhist philosophical treatises available to us…
- The word khandha might have been a philosophical innovation introduced by the Buddha but, for literary reasons, the compilers of the Pāli canon decided not to include the detailed explanation of the term in the Dhammacakkappavattanasutta even though the Buddha might have explained it then…
- The Dhammacakkappavattanasutta was not composed at the beginning of the Buddha’s ministry, but later in his career (or even after his death) when the Buddhist meaning of the term pañcakkhandhā had been established and was familiar to those within the tradition.
He settles on #3 but is not vehemently opposed to #1.