EDIT:
The indravajra tristup finds its purest and most sustained expression in the 32 quatrain verses of the second, third, fourth and fifth chapters of the atthakavagga, called respectively the cave, malice, purity and the ultimate.
Composed no later than the poet Vasinaga, and no earlier than RV10, the work is the single most sustained use of the vedic indravajra, indravamsa, upendravajra, and other closely related tristup and jagati lines in all of indian literature and history.
The tristup line of 11 syllables is the dominant metre of the Rg Veda Samhita. By the period of the formation of the prose Buddhist Canon, the prose Upanishads, and the Epics, the tristup had declined into a form of “archaism” used in a more courtly, self aware and narrative manner.
This transition point can be seen in microcosm in the Buddhist canon itself in the figure of Vasinaga.
The already stated evidence for the antiquity of the 32 verses are either meager or so technical as to elicit endless scholasticism, and will not be restated here, I have a set of clippings somewhere…
It is probably much easier to say that in all likelihood the tristup line, as a vehicle for terse wisdom poetry, was already well on the way to giving way to the sloka line in the Pali, and that sans usually quite obvious archaisms, the bulk of the material in the sutta nipata, the sagathavagga, the dhammpadda and so forth predate the prose buddhist suttas and prose upanishads the way the buddhist abbhidamma post dates the suttas and the nidessa post dates the kaggivanna, athakkavaga, paraynannavagga.
This is true of more or less all* the metrical material imv, and it is especially and obviously true of the tristup metrical line.
END EDIT
I have posted the glaring example of sumedhā, but there are many more such examples,
To the composer of the 32 verses, the tristup line, and amongst them the Indravajra line, represented the highest purity of mind and thought.
Hi all, I have, as some may have noticed, more or less stepped away from this site in the last few months.
I was finding towards the end that my engagement with the site was not fruitful or supportive, and that many of the posters currently active seem not so much interested in actual active research into the EBT and related texts, but much more interested in proselytizing a particular form of post-Theravada.
That is of no interest to me at all, and I would ask that those who come form that perspective simply pass over my missive here in noble silence.
While I have been away I have mostly been focused on trying to understand the Pali poetry, especially the athhakavagga, especially the “4 octets” of the cave, malice, purity and the ultimate.
i have long thought that despite the lip service paid to this poem it has not been fully appreciated in the Buddhist context for what it really is in the broader context of ancient Indian metrical composition.
In order to rehabilitate this poem I have been using the romanisede Samhita Veda at The Rigveda: Metrically Restored Text: Introduction and the metrical analysis website • Chandojñānam • Identify from Text • to determine exactly how many jati are in each man=dala, how many of them are tristup, how many anstup, how many jagati etc, and how many of the tristups are indravajra/upendra/vamsa etc.
For example, RV2 contains 1694 Jāti of which 826 are triṣṭup and 583 are jagati. 166 anuṣṭup, 13 bṛhatī, 106 desiderata.
The first sustained deployment of the tristrup is 2.003
2.003.01a sámiddho agnír níhitaḥ pr̥thivyā́m
2.003.01b pratyáṅ víśvāni bhúvanāni asthāt
2.003.01c hótā pavākáḥ pradívaḥ sumedhā́
2.003.01d devó devā́n yajatu agnír árhan
hótā pavākáḥ pradívaḥ sumedhā́ is an indravajra tristup line;
the hota priest, pure, continuously, wise.
sumedhā́ is rare in the family mandalas;
3.015.05b devā́m̐ áchā dī́diyānaḥ sumedhā́ḥ
3.038.01d kavī́m̐r ichāmi saṃdŕ̥śe sumedhā́ḥ
3.057.05a yā́ te jihvā́ mádhumatī sumedhā
6.067.08a tā́ jihváyā sádam édáṃ sumedhā
7.091.03a pī́voannām̐ rayivŕ̥dhaḥ sumedhā́ḥ
8.005.06b sumedhā́m ávitāriṇīm
8.048.01a svādór abhakṣi váyasaḥ sumedhā́ḥ
9.092.03a prá sumedhā́ gātuvíd viśvádevaḥ
9.093.03b índur dhā́rābhiḥ sacate sumedhā́ḥ
9.097.23b r̥tám r̥tā́ya pavate sumedhā́ḥ
So 9 of the 10 occurrences of sumedh are in tristup, with only 1 in anstup.
Taking RV2 as indicative, we see that this is highly unlikely to be coincidental.
The suttas have;
tathūpamaṃ dhammamayaṃ sumedha
an indravajra tristup occuring at DN14, MN26, MN85, Vinaya 4,
The sagathavagga has
taṃ passatha sabbaviduṃ sumedhaṃ,
ariye pathe kamamānaṃ mahesin
of which the first line is indravajra tristup
tasmā have lokavidū sumedho
SN2.26 is also indravajra tristup
tasmā na rūpe ramatī sumedho
as is SN6.6
sabbābhibhuṃ sabbaviduṃ sumedhaṃ
as is SN21.10
the dhammapada gives us in addition;
taṃ tādisaṃ sappurisaṃ sumedhaṃ,
bhajetha nakkhattapathaṃva candimā
Iti has
tathūpamaṃ dhammamayaṃ sumedho,
pāsādamāruyha samantacakkhu
the Uragavagga has
taṃ passatha sabbaviduṃ sumedhaṃ,
ariye pathe kamamānaṃ mahesiṃ.
and
sabbābhibhuṃ sabbaviduṃ sumedhaṃ,
sabbesu dhammesu anūpalittaṃ
the mahavagga;
santaṃ vidhūmaṃ anīghaṃ nirāsaṃ,
appevidha abhivinde sumedhaṃ
The parayanavagga:
kappañjahaṃ abhiyāce sumedhaṃ,
sutvāna nāgassa apanamissan
Anyway, I have ignored the prose and some anstups form the Pali, but the conclusion is almost inescapable that for both the Veda and for the Buddha, the tristup is the proper vehicle for the discussion of the “wise” one or sumedhā́
THere are many other examples to explore of the continuity of the tristup tradition between the Veda and the prakrits.
Anyway, this is already a very long example, but the take home, for me at least, is that of the ancient material, the 32 verses of the 4 octets appear to be the most sustained and disciplined of the development of the indravajra tristup in all of ancient indian literature.
The vedic tristup is much freer, and varies it’s line much more loosly than the athakkavagga, and subsequent more “courtly” “archaism” and “narrative” poetry (i.e Vasinaga) is much less conceptually and philosphically deep.
HOT TAKE:
It is the greates single 11 syllable poem in world literature.
more to come if theres interest.
I don’t think anyone has done a complete line by line survey of the metrical distributions of the Veda that isn’t based on a statistical sample, so hit me up with quesitons if you have them.
Metta