The "Play of Formulas" theory of the development of the EBT's

Here is a similar presentation:

From the abstract:
“The play of formulas is a new theory designed to explain the manner in which discourses (Suttas, Sūtras) were composed in the early Buddhist tradition, and especially so in the Dīgha- and Majjjhima- Nikāyas (the collections of the Buddha’s Long and Middle-length discourses). This theory combats the commonly accepted views in scholarship that texts are mainly an attempt to record and preserve the Buddha’s teachings and life events. Rather, driven by a variety of creative vectors, mainly literary and contemplative ones, the texts betray a rich engagement with the figure of the Buddha and a visualization of his figure. The play of formulas explains how formulas – the basic unit of Buddhist oral textual culture – combine in order to produce meaningful textual patterns and statements. Formulas connect according to set narrative designs, in which different types of audiences are represented not only with their unique formulas, but also with their specific narrative trajectories and complementing doctrinal emphases. It is not that the early authors were not at all trying to preserve the Buddha’s words. It is only that there was much more going on, and that thinking about the early Buddhist texts in this way misses all the fun, and ignores their beauty. These probably tell us more about what the texts actually were for the people that first produced and studied them than dry formulaic doctrine.”

In other words, he rejects the idea of comparing these texts to get closer to the Buddha’s actual words.

I don’t think he entirely rejects the approach, but just believes it’s heavily overemphasized. Moreover he believes that the assumption of ‘the discourse’ as the fundamental unit of the early texts often underlies comparative analysis, when instead careful reading and comparison within one of the existing EBT collections reveals the primacy of the formulas.

I recommend the book, it opens up a lot of new ways to relate to the discourses. In his book, he also emphasizes the importance of literary elements in the discourses. So the play of formulas idea is not the only thing discussed. He discusses some of the suttas in the DN as a form of literary Buddhanussati. Those sections make me think of Kastrup’s book More Than Allegory which discusses how myth conveys truths that cannot be directly stated. It seems he takes some suttas as attempting explanation of deep truths (about the nature of a Buddha for example) via myth. (Although this shouldn’t be confused with a rejection of rebirth.)

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Could you expand on this? I’m not sure what you mean.
Is it that while comparison between entire discourses in different languages/ recensions is how analysis is traditionally carried out, with the aim of getting closer to buddha-vacana, comparing texts within one collection does this better?

Maybe what I’m wondering is if the goal of his analysis is rather different than, say, Ven. Anālayo.
Are they approaching the same thing from different angles, or are they very different?

"This theory combats the commonly accepted views in scholarship that texts are mainly an attempt to record and preserve the Buddha’s teachings and life events. Rather, driven by a variety of creative vectors, mainly literary and contemplative ones, the texts betray a rich engagement with the figure of the Buddha and a visualization of his figure. "
(from his Abstract)

Thanks, this is helpful.

It reminds me of what was called “redaction criticism” in Bible studies. The point being that the original text has passed through “redactors” and their hands left interesting marks on the texts as we have them.

I think the point of this criticism is that the “discourse” is assumed to be a given teaching stated at a given time to a given group of people. Differences are considered to be more-or-less trivial representations of that fundamental unit.

IIUC, he is suggesting that we pay more attention to the manner in which discourses are composed, since their composition reveals details of how the teachings were received and understood.

There’s a saying by someone in the field, unfortunately I forget who, to the effect that: no hypothesis of early Buddhism is less plausible than that the Buddha spent his whole life merely repeating the same few doctrinal formulas without variation.


Beware of academic contrarianism. It’s basically a requirement to get any work noticed that you have to say, “Everyone else is doing that. But I say we should do this.” Whether it’s true or not is beside the point, it’s a rhetorical strategy.

It’s certainly a valid approach to look at how formulas are used and to analyze their relationships and so on. I’ve done some of it myself. For example, in the Northern suttas on satipatthana, there is a commonly used short formula. Is this a genuine difference from the Pali version? I found that there’s a place in the Chinese samyukta where it gives the abbreviation, and then says that all abbreviated suttas should be expanded like this. So clearly the short form is not intended as a different content, merely a convenience.

As to formulas of setting and so on, it has been an accepted axiom of the field since the work of Ven Thich Minh Chao in the 60s (at least) that the narrative settings vary more and hence are likely to be later than the doctrinal teachings. So sure, the use of narrative formulas (pericopes) may reveal something of the way the texts were organized and the methods and values of those doing the organizing.

But there are plenty of things in the texts that are not formulas. Lots of narrative contexts are quite unique and personal. On the other hand, lots of suttas have no narrative, or if they do, they are so generic as to be useless (and often just abbreviated away). Paying attention to formulas might illuminate some patterns, but the choice of method has already focused the light of attention in a particular way that will illuminate particular kinds of truths and obscure others. This is acknowledged in Shulman’s choice of subject: by focusing on MN and DN he chooses to look precisely at that subset of EBTs where narrative invention is present. There’s nothing wrong with that, it’s just a way of seeing is all.


One general problem with the field of Buddhist studies is the dislocation between fundamentals and theory. Consider the state of fundamentals in the field:

  • we don’t have full translations of Chinese Agamas
  • we don’t have full translations of Sanskrit texts
  • we don’t have full translations of Chinese Vinayas
  • we don’t have a complete, up-to-date dictionary.
  • few scholars are fluent in all relevant languages

Things have got a lot better, to be sure. But there’s a long way to go. The field is large and complex, the workers are few and scattered, and funding is somewhere between thin and non-existent.

Meanwhile, academics are influenced by current trends in academic theory. But those theories evolved in other fields, such as Bible studies, where none of these problems apply. They have multiple fine translations, excellent and thorough study programs, and lots and lots of money. Like, lots of money. Hundreds of millions of dollars every year kind of money. Bible studies has evolved through generation after generation of theoretical approaches, all building on the fact that the Bible was already well-translated and the basics well understood since the age of textual criticism began well over a century ago. It’s a much smaller text, with many more people studying it critically for a longer time.

So there is a tendency to want to apply different theoretical models to Buddhist texts, influenced by developments in other fields (and of course Bible studies is just one of them). There’s nothing wrong with this—I’ve studied Bible criticism precisely to learn from what they have been doing. But for the field as a whole, what’s really needed is to lay the groundwork, to create a solid foundation. Perhaps insights from other fields will help illuminate Buddhist studies. Or perhaps we will find our own way.

It’s early days, is all I’m saying. Let’s listen to different theoretical approaches and see what we can learn. But just be a little cautious before hoisting your flag on the latest mast. (Does that metaphor work? Seems suss to me!)

Worth noting that TW Rhys Davids wrote some great literary analysis of Suttas; see for example his introductions to DN suttas, or his analysis of Jatakas.

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The point isn’t that it works better or worse exactly nor that it’s based on within collection analysis (probably I shouldn’t have added italics there). Basically by comparing suttas (without needing to compare with agamas for example) which contain similar formulas we can see a process of ‘sutta-generation’ that involves combining them in creative ways. There are many suttas which are ‘generated’ like this based on a ‘seed formula’. So it seems rather than being fixed records of historical events, suttas like this at least are examples of exploring the meaning of certain formulas by the authors of the canon. (See @sujato’s comment as well which explains this better than me-the one after the first time he quotes me.)

He (unsurprisingly) references his work several times in the book.

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So to compare different versions of a sutta can help identifying what was probably the earlier/earliest version. We make out the purpose and agenda of the text and of the alteration.

But obviously only few suttas are textually independent and there are numerous trans-sutta connections. Conversion formulas, question formulas, politeness formulas, winning-a-debate formulas, hesitation formulas, criticism formulas, astonishment formulas, invitation formulas, enlightenment formulas, etc.

Beyond analyzing and understanding a single sutta the analysis of such formulas can show us the purpose and agenda of such text modules which, per definition, must be older than the individual suttas which include the modules/formulas.

I find this approach very valuable. And add the approach/question: What are examples of suttas which are free of trans-sutta structural elements? They could represent individual voices we could really treat as individual suttas, standing on their own. Maybe we find these only in verse suttas, but maybe also in some prose. We should approach the interpretation of such suttas differently.

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It’s funny how people can’t seem to conceive of the Dhamma as having been discovered and expounded by one being.

I guess it’s a kind of compliment to the Buddha that people feel there must have been a committee of authors working behind the scenes to create the body of suttas …

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Please add substantial arguments against the formula approach. It’s good for you that you have faith in the texts as they are, but maybe that’s better expressed in a seperate topic.

I don’t think anyone is making that argument here, the suggestion is rather that the suttas are a product of recombination of formulas but that the formulas might go back to the Buddha.

As for the idea that the suttas as we have them are simple reportage of what the Buddha actually said I am not aware of any academic scholar who defends that view.

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@josephzizys, my understanding of schulman’s contention was that authors subsequent to the buddha built up the suttas from formulae left by the buddha. i haven’t read the book, so i can’t be sure, but from an abstract of his talks on the subject, this seems to be the contention of his work. if that’s incorrect, please ignore this and my previous post.

one of the arguments against a formula approach would be the consistency of the voice and character of the buddha across the suttas of the tripitaka. for a body of authors to have this level of consistency (presumably across decades or centuries) would be surprising to say the least. anyone who’s worked on writing in conjunction with others will be aware of the extreme difficulties associated with developing a consistent voice across a single piece of work - how much more difficulty across thousands of suttas, let alone developing a single doctrine.

we do see such differences between the character of the buddha and the arahants in the nikayas and the mahayana sutras. the narratives are different, the personalities are different, the settings are different, the textual quality of the writings are different, with differences between the mahayana sutras themselves leading to doctrinal variations in that body of literature (i don’t think i’m stating anything here that hasn’t been said by academics in the field). we largely don’t see any such differences or emerging variations within the nikayas (i can only think of one). if the formula approach was true for the EBT nikayas, we would expect to see this level of variation within them.

in addition, if the play of formulas approach was correct, there would be no meaning to the repetitive nature of the suttas - if it’s built up from smaller formulae, why repeat these formulae? we know that the reason for this was to aid memorisation of the suttas as a whole following an oral history. a formula approach has no need of memorisation, as the suttas themselves would be made from mini building blocks. those building blocks would be the only components requiring memorisation in a formula approach, so why develop the suttas themselves to be memorised.

i’m sure there are counter arguments against each of these, but at the end of the day, the faith in the suttas comes from practice. the suttas themselves are going to be imperfect - imperfect recollection, imperfect translations, additions over centuries, etc. the best evidence we have for the suttas being authentic teachings from the buddha (and discerning the wheat from the chaff) is that they work. that’s something that we can never get from reading them or books about them.

best wishes to all.

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Reading an abstract of a talk gives you the barest sketch of an academic work. The book is 273 pages. If you want to have a better understanding check out the preface to the book available on amazon that I linked before. I appreciate your acknowledgment of how little you’ve looked into his ideas. I think it reflects well on your character :slightly_smiling_face:.

This is a non-sequitur. I can just as easily say “the formulas are the exact reason a body of authors are able to create such a consistent body of suttas”. Shulman also argues in his book that the creative ‘play of formulas’ have certain clearly defined rules. These rules of how formulas are allowed to combine could produce the consistency we observe. It’s not ‘anything goes’ like the lego metaphor may seem to suggest.

This is very important point in his work. The reason he calls it the ‘play of formulas’, and not ‘a large list of formulas’ is because by combining formulas in a creative way the meaning of the teachings is evoked. More than that he also argues in the last chapter of his book that the play of formulas can act almost as a type of guided meditation.

When I read this I get the feeling that either you feel like your faith is under attack, or that you are trying to protect the faith of others. I don’t know if that’s correct, but I promise you Shulman’s ideas are completely compatible with a profound personal connection to the texts, and the words of the Buddha himself. If you read the book you’ll see what I mean :slightly_smiling_face:. After reading his work, I feel that my connection to the texts and my faith has deepened instead of cheapened. His analysis also focuses on the literary elements of the text. Learning to appreciate these literary elements really opens the heart to the profound meaning of the dhamma and is a way of drawing closer to the Buddha, not further away. But that’s just my personal experience of course.

And to be clear I also don’t have a very deep understanding of his ideas despite having now read the majority of the book. It takes a long time and a lot of effort to really understand such works.

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I think faith-followers will per default have a defensive reaction against an agnostic scholarly approach. There are degrees of course: some followers will be offended by even the suggestion that suttas are not verbatim records of Ananda’s reports. Other followers are scholars themselves, like Analayo and Sujato. In that sense, the formula perspective triggers a common reflex, not much different than other academic analyses. So let’s better focus on the actual arguments…

It’s hard to refute that the formulas exist throughout the suttas. Not all suttas consist of formulas, but they are a common structural element of enough suttas to ask: what do they tell us about the composition practice? For that, we need to get into the details, because the function of the formulas are very different.

Let’s take for example the formula “X rose from his seat, arranged his upper robe over one shoulder, knelt down with his right knee on the ground, raised his joined hands in reverential salutation towards the Blessed One…”

This might very well be a culturally common reflection of politeness at that time. In that sense this could be a ‘true’ description of what happened. But does it reflect everything that happened? Certainly one person was more clumsy than another, took more time, or after arranging the robe it fell down again and had to be arranged again. So while not un-true, the formula is certainly not a precise decription of what happened every time. So if the main purpose is not precision, then what is?

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Well the issue of faith is important for actual practice. Focusing solely on the ‘actual arguments’ involves ignoring a very large and important part of the person you’re responding to. Personally I’d rather conversation be head-to-head and heart-to-heart. My intent wasn’t to ‘accuse’ but instead to share my personal experience with the book to show that it’s possible to investigate these types of arguments without it negatively affecting one’s faith or close relationship with the texts. Just the opposite for me actually.

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I agree IndyJ! I think those differences are there because Ananda was very different from Kassapa etc, that is to say I don’t think that the contention of the theory is that the suttas are “made up” by “authors” rather that there where complex purposes to recitation: doctrinal, devotional, meditative, folkloric, as well as historical. Communities would have chanted together as a way of remembering the dhamma, and part of that would have been remembering things about the buddha and his first disciples, but they where not attempting to record historical data, they where attempting to preserve dhamma, which is a different thing.

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The thing is, it is clearly the case that there are formulas, and that they are used to construct Suttas. I doubt if anyone would seriously argue that every single variation in the repetition series was literally spoken by the Buddha. Heck, the Mulasarvastivada Vinaya gives instructions on how to apply formulas for constructing suttas.

The real question is, what is the extent and nature of the formulaic construction of Suttas? Is it merely filling in background details and repetitive structures? Does it reflect, consciously or not, the ideas and intentions of the redactors?

In A History of Mindfulness I argued that the assembling of formulas to create what we now know as the Satipatthanasutta gave the Pali text a particular doctrinal slant and emphasis that differs from other versions, and presumably from the original: namely emphasizing vipassanā over samatha. And it is that slant which has been focused on in modern times as the “essence” of satipatthana. In this case, formulaic construction has had a major impact on modern meditation.

I think this is an exceptional case, and that most changes of formula have little doctrinal or historical impact. But it’s certainly worth investigating.

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There was a recent article in the New York Times that reported new analysis on the Q Anon conspiracy and authorship.

“Computer scientists use machine learning to compare subtle patterns in texts that a casual reader could not detect.”

So maybe one day this could be directed at the Pali Canon to determine how many authors were involved, older and later strata of texts, etc.

But I wonder if this would really help a practitioner understand the dhamma better, or get closer to the Buddha’s message?

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I find the “building block” approach intriguing, and it makes sense to me, that different communities would pass in the sane remembered tradition in an ever mutating way, as DNA mutates but (usually) passes on the same fundamental code.

The question I still have, however, is why there is so much similarity between large portions of the nikaya and agama literature. If the culture really was “use these tropes to re-tell the Dhamma based on what needs to be conveyed,” it seems like there would be multiple, valid but different ways of doing that. Why would they all follow the same basic script?

Or am I missing something?

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Well, one reason might be that groups in different locations had the same teachings which they chanted - explaining why you get the same sutta with the only difference being “at jetas grove” or “at savathhi”

Another reason maybe that the Buddha taught very consistently for a long time to many groups

Another reason might be that what we have is precisely a “curriculum” and that what monks learned to memorise and recite was more like a skeleton key which was then elaborated and explained and expanded by senior monks and the Buddha.

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It’s important to keep asking these questions and to discuss scenarios that make sense. An aspect that has not been raised enough, I find, is who was considered as authorised to a) create sutta content b) alter content c) create canonical commentaries.

The building blocks and formulas imply the degress of freedom one would have had to create material. But there must have been forces that were conservative and reduced these freedoms. Among the surely many possibilities I think a plausible one is that great authority was needed to create sutta content.

Take for example AN 8.8 where Sakka asks the monk Uttara if the teaching he gave is his own or the Buddha’s: “But, Bhante, was this your own discernment, or was it the word of the Blessed One, the Arahant, the Perfectly Enlightened One?” To which Uttara replies: “Whatever is well spoken is all the word of the Blessed One, the Arahant, the Perfectly Enlightened One”.

If we assume for the moment that this literally took place, then Uttara was one of relatively few monastics who could converse with Sakka. Such supernatural ability and his standing as a teacher were surely necessary to allow him to basically declare that true Dhamma can automatically be regarded as the Buddha’s word.

If we further assume that such authority figures headed selected institutions in which early redactions of sutta collections were collected, then it would make sense that bhanakas were basically obliged to largely stick to the “authoritative edition”, which would then form the basis for the relatively similar suttas/sutras we have today.

I’m not saying that this is the most likely scenario, but wanted to show that when we examine the conditions that could be responsible for similarities and differences in the suttas, we might come to other hypotheses, some of which can be tested, some just adding plausibility.

Check out Buddhanexus, they’re doing amazing stuff with quantifiable ML analysis of texts:

In theory, the kind of analysis you speak of may be possible. It’d get really interesting is the ML modfels are sophisticated enough to work cross-languages.

As so often, the answer is “it depends”. It’s interesting, and that alone draws attention.

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