Painter of Painters, the Maestro Incomparable

He looked a simple villager from Madampe, like just another Appuhamy or Heen Banda with traditional hair knot (Konde). When Dr. Marianze, the world famous Art Conservator sent to Ceylon by UNESCO (to help preserve the Sigiri Frescoes that had been damaged by vandals in 1968) was introduced to Walimuni Solias Mendis by Dr. Raja de Silva, (our one time Archaeological Commissioner) Mendis and Dr. Marianze just gazed at each other in wonderment. There was stoic silence and the two, the simple villager and the world renowned Art Conservator smiled. No doubt that moment recorded a rare greeting.

It was a communication gap that separated the two, because Solias Mendis knew no English nor Italian. He spoke only an age old Aryan dialect Sinhala. Dr. Marianze was amazed at the simplicity the maestro displayed, but he knew they both had one thing in common - Temple Murals. And talking of Temple Murals, undoubtedly Solias Mendis was acknowledged to be in modern times the Painter of Painters, the maestro incomparable.” It is said that, he was a genius inspired by the Hindu Goddess Saraswathie, the venerated icon of Art.



Hi @ekocare,

Welcome to the D&D forum!

Many resources are here available: may these be of assistance along the path.

With Metta,


The subject of paintings at the Kelaniya Vihara is mostly fanciful accounts of Buddhism in Sri Lanka, such as the Buddha’s entry there. This is correctly called ‘Sinhala’ art. The subject has nothing to do with the high quality of the execution. One factual depiction is Buddhaghosa debating copies of the Visuddhimagga .

At 1:39 is seen a layperson dictating to scribes, what does it represent?